Published by Balthasar Schmid. He was an extremely busy man in his office, and the financial burden of publishing music in his time was far greater than we, from our 20th century perspective, might assume that it was. This publication began with Partita, piece by piece, inthree years after he was appointed as Thomas Cantor and the Director of Music in Leipzig. In Bach put together the already-published six Partitas and reissued them as Opus 1, denoting his intention to continue with the series.
For ordering information go to: Meisterwerke der Musik im Faksimile, Color halftone of the beautifully preserved autograph score composed most likely between Hardbound with decorative paper boards.
Kantate zum Fest Mariae Heimsuchung. Color halftone of the autograph score composed for the Feast of the Visitation of Mary. The work bears striking similarities with the Christmas Oratorio BWVcompleted only six months earlier.
Issued on the occasion of the th anniversary of the founding of the Bachhaus Eisenach Museum of the Neue Bachgesellschaft. Handsome 2-color collotype of the instrumental and vocal parts in their original format.
Scored for hn, 2-ob, 2-vln, va, bc, and SATB chorus. Afterword by Werner Neumann. Folder in linen and decorative paper. Color facsimile of the autograph score and performing parts.
The score was acquired by the Bach Archive Leipzig inmaking it possible, for the first time, to reunite the original performance material and the autograph score.
The work is based on a church hymn by Johann Rist that depicts, in riveting language, the terrors of the Last Judgment and the torments of Hell, followed by an admonition to live a life pleasing to God. The poem inspired Bach to write one of his most impressive church compositions altogether. Limited edition of copies presented in clam shell case.
Halftone of the autograph score in its original loose bifolio format. Bach performed this cantata on February 7, on the occasion of his application for the cantorship at St. Music for the Gratias in the Gloria of the Mass in B minor comes from the choral movement of this cantata.
Portfolio in blue linen.
Drama per Musica BWV 30a. Faksimile der autographen Partitur herausgegeben von Werner Neumann. Coverboards in decorative paper. Cantata for the 13th Sunday after Trinity.
Commentary by Christoph Wolff and Peter Wollny. Color facsimile of the autograph score, original performing materials and original libretto. Cantata 33 belongs among the unique annual cycle of chorale cantatas composed by Bach inthe second year of his Leipzig tenure. The cantata counts among the very few works where all the relevant source materials for the first performance have been preserved—yet dispersed throughout the world: Faksimile der Originalpartitur mit einem Vorwort herausgegeben von Peter Wollny.
Meisterwerke der Musik im Faksimile, 3. Halftone of the autograph score. Foreword in Ger-Eng by Werner Neumann. Halftone of the autograph score in the original loose gathering format.The weather in New Haven, Connecticut, was unusually warm the evening of December 4, Children played in the streets, and people were out walking their dogs.
PDF | On Jun 21, , Heidi H. Harralson and others published Handwriting and Visual Impairment: A Forensic Analysis of J.
S. Bach's Signatures For full functionality of ResearchGate it is. Acceptance Statistics. This year, we received a record valid submissions to the main conference, of which were fully reviewed (the others were either administratively rejected for technical or ethical reasons or withdrawn before review).
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Harmonic and mathematical doodles on the bottom of Bach's BWV cantata.